If you happened to walk past the Star Theatre on Sixth St. in downtown Portland Friday night and heard the loud sounds of drunken pirates who somehow managed to play very loud and droning rock n roll - you weren't just really drunk - it was all very true. That sound is sometimes called beach goth or hip tit or psychedelic surf, and the band playing it is called The Growlers, and while they aren't actually pirates, they are 5 surf bums who play some mean rock n roll.
The scene inside was frenzy, with a packed house full of drunken hipsters "marsh-wiggling" and sometimes moshing to the unique sound of one of Southern California's finest and seasoned bands. After being riled up by the heavy surf rock of Portland's own Guantanamo Baywatch and Seattle's The Night Beats, and then a one and a half hour set by The Growlers, I was able to sit down and talk to a few of the band members - primarily the drummer/producer of the band - Scott Montoya.
SD: How glad are you that Hung at Heart is finally out?
Scott: Oh man, we couldn't be more stoked. This album took forever, we started it over a year ago at Dan's [Auerbach] and have just had all sorts of problems with deadlines. It wasn't us though, there were a lot of people involved and we were getting more pressure from different angles about "the correct timing" and everything, but in the end we are stoked to have it out again with Everloving, and we're just stoked that it's finally done.
SD: What was different about the recording process of Hung at Heart as compared to your previous releases?
Scott: Well I took a back seat on this one, which was different because I had recorded and produced all of our albums before. And we just had a lot of songs, like 70 songs that we ended up condensing down to 15, and that was a lot of work in a very short amount of time, not to mention that we were getting wasted with Dan. [Laughs] It was all one big party, we had a lot of fun. Dan's a real cool dude.
SD: It has been said that you guys described Dan's recording as "overcooked" and re-recorded it yourselves. Were you guys not pleased with his recordings in Nashville?
Scott: It's a shame what people have been saying about that. We loved working with Dan, and I don't know how that got out there but we have nothing but good things to say about him and are really glad that we got the opportunity to work with him. The recordings in Nashville weren't bad at all, they were really good, but just different, so we decided to just work on them more since the songs were really raw anyways. That worked out because we were able to promote it for so long before it got released.
SD: How does your writing process usually go down?
Scott: We all just kind of do our own thing, just like anything that sounds good, and then we all come together on it and put our own thing into it. Kyle and I are working on some really rad stuff right now.
SD: Beach goth has been used to describe your guys's sound and you have created a new movement in Cali behind it. Do you feel the name actually suites your sound?
Scott: Yeah, I mean we never described it as that, that was more like other people saying that, but I mean it fits it. Certainly our first two albums, Hung at Heart is a bit more poppy, which we've never really done before, but yeah it usually fits it.
Kyle: Yeah all of our music is so depressing!
SD: Will there be a third bus?
Kyle: There better be!
Scott: Yeah I hope so. I miss our first two, those were so great, we're just touring in a van right now.
Kyle: [Expletive] vans!
[Laughs]
SD: You named her Lizzy right?
Scott: Yeah Lizzy was great, but Brandy was the first, and she'll always be my bitch.
SD: I can't wait to see the third one! Now, you guys have been together for awhile and I know you've all had jobs on the side to keep things going. Are you employed solely through your music yet?
Scott: Yes, we finally are. It's great, but at the same time, it's tempting to just blow it all on booze and nice stuff, but it always works out better to save.
SD: Who are your favorite current bands?
Scott: Well we always listen to the radio on the road so I don't really know. I mean, Guantanamo Baywatch and The Night Beats are [expletive] awesome!
SD: Okay, so now what's in store for the Growlers now that you're done touring?
Scott: Oh man, I don't even know. We're gonna take a week or so off and jut kick it and surf, but probably just get back to writing. We want more material so if in like a year we want a new album, we already have songs worked out and everything.
SD: You also are doing Europe soon right?
Scott: Yeah, first time too! We'll be there for a month or so in the spring, and we're all super stoked. I [expletive] love Europe!
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About
I was born and raised in California, and am currently a sophomore at PSU. I just started my new show - "The Spotlight" - at KPSU this October, where I not only play great tunes but extrapolate on them as well. This is so I can bring my listeners great music as well as informative background on what they're listening to. So next time you want to hear great music and learn something new from it, check out "The Spotlight" airing every Sunday from 4 to 5 PM on KPSU.org!
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Review
In the world today, we are constantly being bombarded with new music and sounds, and as technology continues to increase at a rapid rate, it is sure to continue in an undeterred direction of what's considered unconventional craziness, creating new sounds in which synthesized instruments, vocal tape loops and other extravagances dominate the sound of popular music as we know it. However, not all of us have forgotten the past while dreaming of the future, and that's where the Growlers step into the forefront of what has been forgotten, but also has yet to be understood. And who exactly are these guys? Well it all started roughly six years back when singer Brooks Nielson ran into guitarist Matt Taylor at a party and the two jammed for the first time, prompting them to start a band. From the very beginning, they took what was prevalent in their everyday lives - namely surfing, drinking, psychedelic drugs and having to grow up in a society that didn't match their idea of what life should truly mean - and transformed it into their own sound, which has been given many different names since then. After their initial self release in 2007, they recorded 8 EP's, and released them in 8 months, and the end product was a well spring of brilliant material. These songs have characterized the band's sound thus far, and since being signed to the Everloving label in 2009 and releasing two official albums entitled: Are You In or Out? and Hot Tropics, the band has toured nationally a handful of times and become a local craze among Southern Californians in and around Orange County. The new question is what is in store next, as they have completed their latest LP, recorded with Dan Auerbach, and set to be released in November. It seems as if the material is taking a more down-home country approach to it, with a bit more pop than their older and darker material. The band just played a show at the Bunk Bar in Southeast Portland, and lead singer Brooks hinted that their next show in the area, although not officially set yet, should take place sometime in December. So if you are interested in listening to some new sounds without the gimmicks of modern day pop while still holding onto good-old-American sounding rock 'n roll, or maybe just want to hit a bar show that will completely blow your mind - the Growlers are sure to be the band for you.
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| TRACK TITLE | ARTIST | ALBUM |
|---|---|---|
| High Society | Bunny Berican and His Orchestra | |
| Black Snake Blues | King Oliver | |
| I surrender, Dear | thelonious monk | Brilliant Corners |
| Another Night to Cry | Lonnie Johnson | |
| Liza | James P Johnson | |
| Count Basie | The Worlds is Mad | |
| Sidney Bechet | Egyptian Fantasy | |
| Dave Brubeck | Take Five | Time Out |
| Miles Davis | Blue in Green | Kind of Blue |
| Giant Steps | John Coltrane | Giant Steps |
| Fables of Faubus | Charles Mingus | Mingus Ah Um |
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| TRACK TITLE | ARTIST | ALBUM |
|---|---|---|
| Flash Light | Parliament | |
| Stayin' Alive | The Bee Gees | |
| Hotel California | The Eagles | Hotel California |
| Go Your Own Way | fleetwood mac | Rumours |
| Don't Fear the Reaper | Blue Oyster Cult | |
| Lady Marmalade | Patti Labelle | |
| Sweet emotion | Aerosmith | |
| Sweet Home Alabama | lynyrd skynyrd | |
| Higher Ground | Stevie Wonder | Innervisions |
| Love and Happiness | Al Green | |
| Smoke on the Water | Deep Purple | |
| Thirteen | Big Star | |
| School's Out | Alice Cooper |
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| TRACK TITLE | ARTIST | ALBUM |
|---|---|---|
| St. Louis Blues | Louis Armstrong | |
| Sugar | Louis Armstrong | |
| Blue Skies | Duke Ellington | |
| The World is Mad | Count Basie | |
| Barbados | Charlie Parker | |
| A Night in Tunisia | Dizzy Gillespie | |
| Round Midnight | thelonious monk | |
| So What | Miles Davis | Kind of Blue |
| Giant Steps | John Coltrane | Giant Steps |
| Watermelon Man | Herbie Hancock | Head Hunters |
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| TRACK TITLE | ARTIST | ALBUM |
|---|---|---|
| Mystery Train | Elvis Presley | |
| Perfidia | The Ventures | |
| Grass | Animal Collective | |
| I Feel So Good | Magic Sam | |
| Night Train | James Brown | |
| Only The Lonely | Roy Orbison | |
| Happiness is a Warm Gun | The Beatles | |
| Psychotic Girl | The Black Keys | |
| Whiskey and Sin | Daphne Lee Martin | |
| The Beach | Dr. Dog | |
| Candy Shop | Andrew Bird | |
| Grown Ocean | Fleet Foxes | |
| The Shrine/An Argument | Fleet Foxes |
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