With a cameo from Don Kirchner, a lick from “Smoke On The Water”, and a reference to newspaper classifieds, “The Marshall Plan” is a self-reflexive product of mid twentieth century postmodern decadence. That’s just as it should be. Eventually we will hear Radiohead cover versions in every possible rhythm, intensity, and texture. Meantime, white collar angst has its turn– eight o’clock’s coming, cutting dreams down to size once again. But that’s the way it goes at these rock and roll shows.